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Dining on Class Warfare in ‘The Menu’

‘Good Guy With a Gun' (2022) Review

The Obliteration of an Artist: How ‘Tár’ Confronts Existentialism Through Fame and Power

Highlights from Anime NebrasKon (2022)

‘Halloween Ends’: What David Gordon Green’s Trilogy Ultimately Accomplishes

How ‘Andor’ Proves that Star Wars Can Thrive

‘Better Call Saul’: One of TV’s Greatest Accomplishments

‘Barbarian' (2022) Review

Review: ‘Shadows' (2022)

‘Top Gun: Maverick' (2022) Review: The Perfect Summer Blockbuster

'Petite Maman' (2021) Review

‘Memoria’ (2021) Review

‘The Northman' (2022) Review: An Epic, Blood-Soaked Revenge Tale from Robert Eggers

‘Apollo 10 1/2' (2022) Review

Review: Bridgerton (Season 2, Netflix)

‘X' (2022) Review: Ti West's Ode to 70s Auteur Filmmaking and Slasher Smut

‘I Want You Back' (2022) Review

‘The Batman' (2022) Review: Reeves' Batman Shatters All Expectations

‘Texas Chainsaw Massacre' (2022) Review: A Thematically Incoherent Mess

'Kimi' Review: Soderbergh's Latest on Post-COVID Paranoia

Netflix's 'Murderville' Review: A True Laugh-Out-Loud Surprise

Short Film Review: 'Live Health' (2021)

Top 10 Films of 2021...According to Tom Knoblauch

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